- CAN THE AKAI EWI USB BE MIDI USING A KEYBOARD SOUND MANUALS
- CAN THE AKAI EWI USB BE MIDI USING A KEYBOARD SOUND PATCH
- CAN THE AKAI EWI USB BE MIDI USING A KEYBOARD SOUND SOFTWARE
- CAN THE AKAI EWI USB BE MIDI USING A KEYBOARD SOUND FREE
Waldorf and DSI are usually still good about this, except for the non matrix Prophet and OB6. Yamaha and Korg used to be dependable, but have been falling down on the job in recent times.
CAN THE AKAI EWI USB BE MIDI USING A KEYBOARD SOUND MANUALS
On hardware synths, you really have to read the manuals to be sure you can use a Wind Controller to the fullest. Sitar and Cyber-Dolphin fun! Also like Yamaha's practice of having AEG (amplitude envelope) as a destination: It keeps the envelope characteristics of the VCF or VCA, but that level is dependent on your breath. Have had some fun patches that hit multiple oscillators with pitch bend in differing ranges and directions, sometimes with a footpedal also hitting pitch bend.
![can the akai ewi usb be midi using a keyboard sound can the akai ewi usb be midi using a keyboard sound](https://www.ewireasonsounds.com/uploads/4/4/7/3/4473264/5577666_orig.png)
In addition to volume, I usually add a small boost to the filter and overdrive (if available). My best results come from voices that allow control over the range of CC input, and allow it to go to multiple destinations. Some only allow one destination for each CC, some don't support CC2 at all.
CAN THE AKAI EWI USB BE MIDI USING A KEYBOARD SOUND SOFTWARE
Unfortunately, both hardware and software synths are all over the map in useful support for breath control. Their EWI Usb is an inexpensive path to try it out, if you have some computer based softsynths. The Yamaha versions (WX*) are more similar to a saxophone, but I found switching over to an Akai EWI to be pretty easy. I've been playing synths with wind controllers for quite a while.
![can the akai ewi usb be midi using a keyboard sound can the akai ewi usb be midi using a keyboard sound](https://images.reverb.com/image/upload/s--dSa_Tacn--/a_exif,c_limit,e_unsharp_mask:80,f_auto,fl_progressive,g_south,h_1600,q_80,w_1600/v1527186043/tcly7kto1v7gymi9lvuu.jpg)
I've also tried driving a model d reissue with a kenton box but have been having major problems with the pitch constantly drifting down and I haven't solved that yet. I also got myself a pandi midi wireless set up which has been absolutely rock solid and makes the ewi feel much more like a real instrument, not being tied down by cables. Can be fun riding the emphasis while playing for some wild whistles :-) I'd have to say that the built in sample sounds on the ewi are just horrible so after about 5 minutes playing, I have never plugged anything into the akai's audio out jack since. I grabbed a cheap Behringer programmable foot pedal which gives me access to more or less any control I need to supplement the ewi controls. I hadn't had either instrument long so it's rudimentary but shows the versatility and let's you hear that the moog driven from something other than the keyboard can sound very different.
CAN THE AKAI EWI USB BE MIDI USING A KEYBOARD SOUND FREE
Moog sub37 driven by akai ewi 5000 by Sihaz | Free Listening on SoundCloud You can hear some early noodles I did with this set up here:
CAN THE AKAI EWI USB BE MIDI USING A KEYBOARD SOUND PATCH
The two front buttons that can be programmed to send out patch changes are useful, and can be reprogrammed to send cc so I used them to mute and unmute Osc 1 and 2. This gives the smoothest results though at very low volumes you can just hear a little stepping. I send the breath pressure to the filter directly by setting the ewi to output the correct cc number, (19 IIRC). The portamento toggle with the thumb rail works perfectly with glide on/off on the moog. The thumb pitch bends also work but are a little hard to handle other than for wild effects. I have the lip pressure set to pitch bend so I can use vibrato naturally, (my day job is playing sax). I've gone a more modern route with an ewi 5000 into a sub 37 via midi. Will into a vintage model D and Ross into an old Roland.
![can the akai ewi usb be midi using a keyboard sound can the akai ewi usb be midi using a keyboard sound](https://www.patchmanmusic.com/pmlogo.jpg)
Will and Ross use WX7/5's with Kenton Midi to CV boxes. I'm lucky enough to play with Will Gregory's Moog ensemble and three of us use wind controllers in that band. In this role, you want to use it to to control an AD/ADR (no sustain!) envelope's amount, and maybe rise and fall time. (Sharpening the pitch just a bit with breath pressure can be cool as well.)Īttack velocity can be good for adding attack transients. And with continuous pressure, notes are emitted legato (Note On of new note preceding Note Off of old note).īreath pressure is classically emitted as CC2, but can sometimes be remapped the WX7 for instance lets you emit it as Channel Pressure instead, or as Velocity (CC7).Ī synth that doesn't have a legato mode, doesn't handle most CCs, and only lets you use Aftertouch to affect vibrato amount, is not a good fit for wind control.īreath pressure is best thought of as a dynamic envelope generator: as a general rule, you want the sound to get louder and brighter as you blow harder. Most MIDI wind controllers can put out four signals:note, breath pressure, pitch bend, and attack velocity. To use them effectively/idiomatically, you need to understand the MIDI they output, and program the synth to make effective use of that output. I've used a wind controller with DX7/TX7, Mopho, and various soft synths.